Clearly once you
understand what is wanted, you need to know what will satisfy those
wants. One needs to translate the wants, perhaps stated as requirements
into the specific tasks that skilled crafts persons will do in order to
create that which is intended to satisfy the wants. Finding a solution
or knowing what to do is the job of the designer, the architect, the
manager, the director, the choreographer, etc. This seems so
fundamental and obvious that my simulations had better identify it as
critical. However, if you read the current literature on project
management methodology the need for this is missing from the
methodologies. It is as if by magic you will know what to do and you do
not need to develop the skill. All you need to do is following the
methodology recipe. I elaborate why this does NOT work in
The Methodology Emperor Has No Clothes.
The simulations do not tell us how the
architect does her job. Nor can we reasonably expect this. If the
simulations could do this then the simulations might very well be smart
enough to be the architect. Try to analyze precisely what a person
does, or you yourself do, when designing a solution to satisfy some
expressed wants. Sometimes it is very simple. Suppose I see a
distressed person in the middle of the desert who says, "I want a
drink." It does not take any advanced design or problem solving
capability to come up with a glass of water as the solution. Yet there
are times when I have come up with a design of a complex technological
product or a theatrical set where someone asked me, “How did you think
of that?” In a very real sense, I don't know. The solution was just
there. If you do not immediately see this point then I suggest you read
Julian Jaynes' book, The Origin of Consciousness in the Breakdown of
the Bicameral Mind. If we really did understand how we do such
feats, then we really could build an intelligent being (other than
through the biological process). At the present we cannot. I will
propose a theory about how this is done and why it is not visible to our
conscious mind in the Section on Mimetics.
Even though I do not believe we fully
understand the mechanism, I do believe we have a pretty good idea of how
one prepares to meet the creative design challenge; 1) study diligently
and 2) develop the natural (we all have it) creative ability that is one
of the fundamental and defining characteristics of Homo sapiens. Let's
discuss both.
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